Beauty in Architecture

Art has been around for so long that it has father an integral p machination of a hu hu gay beingshood beings life. A thorough nonice of al unneurotic forms of art speaks of unity common signifi nookyce art as the so-called universal expression of the soul. The ancient carvings in an Egyptian cave, the soothing melody of a harp, the beautiful words of a poet, and the abstract purposes in a painting all define art as metreless, pure, and perfect. precisely how far can a universal language serve human being? Can an old fine-tuned guitar or a gold-textured jug stand as a mans ally in his lifetime?It is somewhat ironic to declargon to ourselves that we deliver gotten so used to the notion that the most beautiful go forth never be the most useful. One form of art though that has stood apart from this irony is computer computer architecture. In its most basic explanation, architecture is some(prenominal)(prenominal) a combination of a work of art and science to do and erect builds. For a builder and designer called the architect, architecture is a massive task. First, because it is an art that speaks of a meaning and second, because its completion will serve to a greater extent(prenominal) than mans desire for beautiful things. architecture stands so unique from the rest of all delicate forms. A building will stand tall and proud for the spotless world to see long after the watcher of the most dear(predicate) painting loses its appeal for the eyes. Architecture has a dynamic role to lead and to affirm. One vivid example of its difference from all arts is a home. Inside a house are walls with paintings in every corner, an exquisite piano in the living room being played by well-trained hands, and a long hall demeanor lined with slender China vases virtually a foot tall.Overtime as the family living inside the house grew up and changed physically and mentally, so are their treatment for all these wear rounds of art. The hands that at o nce played the piano may later find other interests to pursue, single or two of the vases crops broken into pieces because of carelessness or accidents, and the paintings may angiotensin converting enzyme day be moved to another room where no one can unconstipatedtually look at it. A helpless and cheerless ways for these arts to retire. precisely not for the house.Children go to school, attend college, and get married but they always come abide to the house that construct been there since their birth. A few repairs here and there over the years, spanking interior and exterior paints, and an installation of new household technologies may be a part of the familys growth but the house remains a house. A nourish and a fortress for mankind. It has protected the family from vicious storms and heavy rains, from the terrible heat of summer, from the freezing temperatures of winter. Above all, it has become a symbol of the familys traditions and cultures.It no overnight portray s a spacious sporty place where children, parents, relatives, and friends can gather around comfortably. It has grown into something the inhabitants can be proud of because its structures and textures have been transformed into a representation of status, wealth, achievements, educational degrees, and even religion. This is only a brief and simple example of the importance of architecture in an ordinary life. Moving on to a broader and global placement of the existence of architecture, we find buildings and establishments housing larger groups of people.From the family who lived in the house with nonchalant visits from friends and relatives, we shifted our eyes towards the cathedral or mosque in the city that symbolizes its flock of pursuit that goes in and out to worship and pray. in that location is also the hospital that is integrated to accommodate as many sick patients as possible and the palace or mansion that epitomizes the actions and behaviors of a certain type of gov ernment and ruler. link up made of wood or steel provide a going for fast and accessible transportation.The St. Basilica of St. Peter in Vatican became the seat of universality in the world. Buckingham Palace symbolizes the royalty as the reigning ruler of neat Britain and the White dwelling the powerful effects of a nations unity. The Chrysler Building exemplifies a wealthy businessmans passion for automotives. not only does architecture speaks of religion, government, and education, it also evokes feelings. The Great Walls of China was both a protection and defense from enemies in ancient Chinese times.Taj Mahal was a mans undying profession of love for his wife and The Statue of Liberty was a gift of one nation to another. Architecture is much than an expression of our joys, anguish, rage, victories, and problems. Architecture must follow a strict set of guidelines before expressing mans varying emotions. Tradition and culture lead the guidelines and principles in raise and building. A man must design and create in conformance to the period or backdrop a piece belongs. Through architecture, the corporation and its inhabitants can speak to another generation their beliefs, offices, and traditions.When a building, a bridgework, or a church has served its bring, when we have declared architecture as more lasting than the rest of the arts, and when we have given the establishments too much opinion for serving us loyally, we seek and desire for something more from them. As we evolved mentally and emotionally, we develop dissatisfaction for simplicity, plainness, and mediocrity. We use our common senses to start discerning that which is not plain, simple, and reasonable and the greatest tool for this task is our ism.And what better way to apply philosophy in architecture than to criticize a structure for its truelove or ugliness. Once we have apply this philosophy, we dis ski binding how sad our evolution has become. As our societies change forth into what we call a newized world, our modern headsprings would exclude or discard slowly and gradually the old ways and traditions. There is no longer that appreciation for the artistic sides of things. They have been dismissed as impractical, costly, and useless, turning everything we create into mere thresholds of function (McElwee, 1996).With this realization we go back to our dissatisfactions. Plainness and ugliness cannot stay visible forever, we consciously decide. It is no longer enough for a church to be just a place of worship. It has to speak through its design, color, and texture the religion of the people. To build a bridge is not only to nail pieces of woods and steel together and cover them up with solid cement. It has to be shaped in elegance and style. Monuments are not only a plain sculpture of a falsehoods bust or body. It could be a palace or a beautiful arched tower. A business establishment is not merely a tall building.Its thought of design could be ste mmed from a businessmans view of a successful life. veritable(a) a house or an apartment is not at all roofs on our passs and walls on our sides. It could be an outstanding structure among its surroundings. This is a atrocious challenge for architecture. It has to serve its basic purpose and function, and at the like time pass the critical astuteness of philosophy, in this case, the philosophy of art and stunner called aesthetics. Of course there are always exceptions from the judgments and scru exact. Poverty and economic imbalance are one.In modern America, the poorest has to live in dilapidated housings where shelter is the only option to survive the cold and the heat. The lower-class struggle insouciant to earn a penny for food and clothing. An idea to build a beautiful and spacious home is too bleak to accept. Some king just dwell under the bridges or lie crop up on the side of the streets. However, modernization has almost found itself among the groups of the poor. It has created, too, a concept that a structure that serves a role other than functionality is simply preposterous. Style, color, and bag are not among the plans of the design.They are costly and time-consuming for the owner. Architects are distressingly left with no choice but to build a low-budget establishment that takes fewer amounts of time and effort. The concept of architecture has solely set forth the kind of life a man has with technologies around him. There is no longer a place for art and beauty in a vehicle and mobile revolution. A house or an apartment in this period is no longer designed with curves, arches, and elegance, but with dull not bad(p) lines that accommodate enough appliances and technologies the dwellers have in their life.Aesthetics can help our modern minds get back to the original fundamentals of architecture that beauty is include together with function and structure (Gatto, 2002). There is so much more in architecture than anything found in a pain ting on a wall, a sculpture of a goddess, a rime of an opera, and a rhyme in a poem. But one should never exit that architecture, too, could stand beside these forms of art and be functional and beautiful at the same time. What then(prenominal) are the criteria for beauty? Do we build houses, towers, and bridges the way we paint a picture or write a song?In a way, we do but, along with the history it represents, there are aesthetic values to consider. There has to be art and science in architecture. It is the aesthetic value of a piece of architecture that separates distinctly its function and purpose from the beauty and art in its form. It involves a calculative thought process of a mathematician and an expressive feeling of an artist. Beauty in architecture competes with beauty in spirit. While nature has been the most beautiful and timeless piece of art ever created, architecture, too, has a responsibility to play as nature to man.A construction of an determination has to m ake the nature in the earth looked more beautiful and appealing. It does not destroy or diminish the surrounding to where it stood. Considering the background was a barren piece of land, the object doesnt make the building block picture look uglier, boring, and dry. It has to stand out as a indication from the place, like a garden in a dessert or a lighthouse in a terrible storm. And of course, its beauty has to sustain its purpose. To design and to build is also to preserve its function and appeal.It takes a strength and an education to criticize a piece of architecture according to its beauty. correspond to Scruton, as cited in A Weekly Dose of Architecture website (2006), trade a painting or music beautiful is different from call architecture beautiful. Only the keenest of eyes equipped with aesthetic knowledge can understand architectures details of structure, function and beauty. Beautiful for man is what he perceives as pleasurable to his senses. The colors of a paintin g, the sound of music, and the boon of a ballerina catches the eyes, the ears, and the sensations.It is mans most basic reason of his judgment of beauty. That which delights and pleases him is beautiful. That which irritates and disgusts him is ugly. What makes certain things labeled as the opposite of beauty? A look at the surface of beautiful objects evokes timeless joy and appreciation. But to understand why it has delighted us takes a thorough ceremonial and scrutiny of our eyes and minds. Beauty is an association and combination of the aspects of art color, structure, shapes, texture, etc.A right combination of colors, a perfect variation of lines and angles, and a precise attribute of each shape constitute a very attractive prototype of beauty. As mentioned earlier, mans mentality evolves and changes. Our judgment for beauty deepens together with our intellect. Our feelings towards pieces of architecture vary overtime depending on the type of piece. We may have an unders tanding tolerance for a house or a investment firm lacking in repairs but we dont give considerations to a government hall, a church, or a huge commercial building to become less than what they were originally created for.There are certain levels of judgment applied to different degrees of art. An architecture that houses, sustains, and encompasses a great number of dwellers requires greater trouble and care for beauty and its preservations. Judgment is not only based in evolving intellects and mentality. So, too, can our emotions and beliefs towards certain things affect our taste for beauty. Religious biases, political dissents, racial and intellectual discriminations among other things provide a pre-conceived notion of how we view and controvert to things and objects.The grandeur of the Vatican may look commanding and dominant for others who see universality as not entirely the perfect religion around. The White House may disgust other countries because of the governments over bearing evasive action in war. Even the handsomely restored Germany may forever be tough with dread and despise by the Jews affected by the nightmares of the holocaust. This is what the great German philosopher Immanuel Kant pointed out (Internet Encyclopedia of Philosophy, 2006). Man simply has this idea inside his head about a certain object. Through these ideas he forms his judgment and reactions to it.So when the object has been made visible in front of his eyes, he already discerns it as beautiful or ugly. There is none of the severe work through with(p) in a careful assessment and scrutiny of every tiny detail. According to Kant, there are at least four factors to consider in making a judgment of beauty. A man has to begin joy and delight in something he sees as beautiful. The perfect give way of colors in a rainbow makes him smile that is why he calls it beautiful. Our judgment has to agree with almost everyone else, in fact with the whole universe, making the object uni versal.The object has to have a role to play other than for exhibit and viewing and creation simply has to serve its purpose that it has been designed for. In Kants Critique of Judgment, he emphasized the importance of an experience of discover beauty before judgments as to how and why it is called beautiful are being set up. In Christopher Alexanders Nature of Order, Book 1 The Phenomenon of flavor, he pictures the present generation of architecture as lacking in life (Mehaffy, n. d. ). He blamed architects for the sluggish attitude in purpose and constructing buildings.Architects have developed a similar attitude with the people, that in a technology-ruled and fast-paced world we lived in, we neglect to put details in architecture that give offs life. According to him, life is the most fundamental foundation of a structure. Life is breathing and moving. Architecture should be based on this and not on the robotic and mechanistic way our technologies convey. In our modern scient ific way, the use of art has slowly been diminishing. Before it happens completely, let us bear in mind that without beauty in it is like a lonely statue of a champion standing out in a cold hard rain.The statue has no life and it no longer feels cold or heat. But architecture is an essential part of our life. So its essence and foundation must breathe life. We must take comfort not only for the roof it provides above our heads but also for the pride it makes us feel because of its beauty. Architecture is both a responsibility and a privilege to provide and attract. It has to welcome and not to frighten anyone away. It has to project a remembrance of its existence and not to killing all the memories forever. Even an old uninhabited castles pursue feeling depicts the lives of the powerful family who once lived there.But in our time today, the ugly untenanted building gives us the shivers not because of the memories left there but of the outrageous structure of the place. Archite cture should never lose its beauty. After all, its ability to be the symbol of both science and art is what sets it apart. A house, a church, a store, a town hall, and a community that is devoid in beauty lack the true essence and purpose of life creation. If we are and so too practical, busy, and perhaps too frugal to incorporate art with our dwellings, then we are better off to live in cold hard unshapely caves. Works Cited